From a back catalogue to published, credited clips.
Before anything is cut we go through the whole channel: what it is about, which storylines run across videos, who recurs, and what actually performs. An episode clipped in isolation can walk straight past a payoff that lands three videos later.
A clip is an ordered list of segments, and those segments do not have to come from the same upload. Length follows the material. If it lands in eleven seconds then the clip is eleven seconds long.
Vertical, burned-in captions checked against the creator's actual words, and a short end card carrying their branding. Every clip credits its source and points viewers at the original.
TikTok, Instagram Reels, YouTube Shorts, Facebook and X want different things, and one caption pasted five times serves none of them. Captions do not give away the ending of the video they are advertising.
Every clip is checked: that the material is covered by the creator's permission, that licensed music or borrowed footage inside a window has been flagged and dealt with, that no caption claims something the footage does not show, and that the render matches what was specified. Anything doubtful waits for a person.
Posts are tracked per platform so a creator can see what their catalogue is earning. Work is that reporting, pointed at our own output rather than a client's.
Clips are published through our own software, registered with each platform under the name Leo Clips Cars. It uploads finished clips to the accounts Leo Clips Cars operates for the creators it works with, on TikTok, YouTube, Instagram and Facebook.
Accounts are connected through each platform's own official sign-in flow. Sign-in happens on the platform's own website and access is approved there; the tool receives an access token, held by Leo Clips Cars and used only to upload clips to that account. No account passwords are stored by this tool, and none are needed.